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Some Hearts (CD - 2005)

Some Hearts (CD - 2005)

( UPC: 00828767119724)
As low as $7.78 from Alibris

Artist: Carrie Underwood

Label: Arista Records (USA)

Genre: Country - Contemporary Country

Album Description: Carrie Underwood: Dann Huff (electric guitar); Mike Johnson (steel guitar); Julian Hallmark (violin); Daniel Smith (cello); Jimmie Lee Sloas (bass instrument); Chris McHugh, Matt Funes, Alys... Read More

User Reviews

4 Star Review(2 Reviews)

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Date Reviewed:  03/26/2006
  • childofjehovah
  • Member Since:
    Mar 2006

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    Reviews
Strengths: Powerful Beyond What You Know!
Weaknesses: None
Summary: My Brother was in a terrible accident over the weekend and he survived!Jesus took the wheel!Praise Jesus!This song means more to me than you will ever know now!Thanks Carrie!God has a plan for my brother and I know the song refers to a girl but to me it also refers to life as well!

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Date Reviewed:  12/05/2005
  • redtunictroll
  • Member Since:
    Sep 2005

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3 Star ReviewModern country-pop from American Idol
Strengths: -
Weaknesses: -
Summary: This year's American Idol has fashioned a modern country album that takes its cues from contemporary stars like Martina McBride and Faith Hill. There are passing lines of fiddle and steel, and the lyrics have a homespun quality, but the overall vibe is pop, with booming productions that are filled with the electric guitars and big drums that will fill up arenas and concert halls. Underwood's voice is engaging, and the song readings are more assured than many of the hurried efforts on AI, but the songs themselves are often a weak link. ¶ Many of the songs, such as the Diane Warren title track, are emotionally generic, and the Nashville factory production simply adds to the blandness. When Underwood gets a lyric with some substance, such as the redemptive "Jesus, Take the Wheel" or the edgy "Before He Cheats," she digs right in, as she does for the rollicking "We're Young and Beautiful." Where she really shines is on her self-penned wide-eyed travelogue "I Ain't in Checotah Anymore," which says more and fits her better than a dozen songs from the Nashville pros. ¶ It's not exactly surprising that Underwood's debut would find her vocals in great form but her artistic voice yet to fully form. As she did on American Idol, she displays great technical chops and exudes the charisma of a seasoned performer. What's still missing is a personal style, particularly in song selection. A year or two on the road, singing this album and drumming up (or, hopefully, writing) material for her sophomore release should solidify her connection to the material. In the meantime, this is a professionally produced and strongly sung debut that has enough highpoints to entice radio and merit a spin or two at home. 3-1/2 stars, if allowed fractional ratings. [©2005 redtunictroll at hotmail dot com]

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