Personnel: Kenny Loggins (vocals, guitar, acoustic guitar, keyboards, background vocals); Michael McDonald , Steve George (vocals, keyboards); Jeff Pescetto, Ina Wolf, Carolyn Dennis, Tampa Lann, Jim Gilstrap, Merry Clayton, Mickey Thomas, Oren Waters, Richard Page, Siedah Garrett, Donny Baldwin (vocals, background vocals); Maxine Anderson, Grace Slick, Tata Vega (vocals); Anthony Marinelli, Brian Banks (guitar, synthesizer); Dann Huff, David Williams , Robert F. McRae, Steve Ferris, Richie Zito, Tim Pierce, David E. Williams (guitar); Dan Higgins, Larry Williams (saxophone, tenor saxophone); Gary Grant (tenor saxophone, trumpet); Larry Andrew Williams (tenor saxophone); Jerry Hey (trumpet); Peter Wolf (piano, keyboards, drums, percussion); Jai Winding (piano); Gary Chang (keyboards, Synclavier); Claude Gaudette, Kim Bullard, Patrick Leonard (keyboards, programming); Giorgio Moroder, Arthur Barrow, Terry Wilson (synthesizer); Michael Baird , John "J.R." Robinson , Jonathan Moffett, John "4 Daddman" Robinson, Mickey Curry, Mike Baird, Pat Mastelotto (drums); Luis Conte (percussion); Maxi Anderson, Carol Dennis (background vocals).

Audio Mixers: Phil Kaffel; Tony Peluso; Brian Malouf; Brian Reeves.

Recording information: Arlyn Studios, Austin, TX; Can Am Recorders; Can-Am Recording; Chartmaker--Motown; Chartmaker-Motown Recording Corp.; Digital Innovations; Encore Recording Studios; Encore Studios; Enterprise; Garden Rake, Studio City, CA; Gary Chang Music Co; Gateway Studio; Gateway Studios; Gigot's Ear Recording; Ground Control Studios, Santa Monica, CA; Image Recording Studios, Hollywood, CA; Johnny Yuma Recording, Burbank, CA; Monday To Sunday; Record Plant; Recording Corp; Rumbo Recorders; Schnee Studio; Schnee's Studio; Sound Castle Recording Studios, Los Angeles, CA; Sound Design; Studio City Sound; T.T.G. Studios; The Enterprise; The Plant Studios; TTG Studios, Hollywood, CA; Village Recorders, Los Angeles, CA.

Photographer: Victoria Pearson.

Arrangers: Claude Gaudette; Gary Chang; Peter Wolf .

The title might have implied a return to form, but Kenny Loggins' commercial decline continued here, despite the inclusion of "Nobody's Fool," the Top Ten theme from Caddyshack II, "Meet Me Half Way," the Number 11 theme from Over the Top, and a cover of The Exciters' "Tell Him [Her]." Instead of addressing the concerns of his long-time fans, Loggins proceeded farther into contemporary sounds, employing multiple producers, the likes of Patrick Leonard (Madonna) and Peter Wolf (Starship), all to little effect. This was Loggins' first solo album to miss gold certification, and made his career crisis official. ~ William Ruhlmann