Recorded at Trident Studios, London, England from July to October 1968.

Includes liner notes by Steve Kolanjian.

James Taylor was the first artist to be signed to record on the Beatles' short-lived vanity Apple label. In late 1968, Taylor's sophisticated self-titled disc foreshadowed the introspective singer/songwriter genre that dominated pop music in the early and mid-'70s. Although often touted as his debut, this release is chronologically Taylor's second studio outing. James Taylor and the Original Flying Machine -- an EP recorded a year earlier -- contains rudimentary versions of much of the same original material found here. The album is presented with two distinct sides. The first, in essence, presents a unified multi-song suite incorporating several distinctly Baroque-flavored links connecting the larger compositions. The second is a more traditional collection of individual tunes. This unique juxtaposition highlights Taylor's highly personal and worldly lyrics within a multidimensional layer of surreal and otherwise ethereal instrumentation. According to Taylor, much of the album's subject matter draws upon personal experience. This is a doubled-edged blessing because the emphasis placed on the pseudo-blues "Knocking 'Round the Zoo" and the numerous other references made to Taylor's brief sojourn in a mental institution actually do a disservice to the absolutely breathtaking beauty inherent in every composition. Several pieces debuted on this release would eventually be reworked by Taylor several years later. Among the notable inclusions are "Rainy Day Man," "Night Owl," "Something in the Way She Moves," and "Carolina in My Mind." Musically, Taylor's decidedly acoustic-based tunes are augmented by several familiar names. Among them are former King Bees member Joel "Bishop" O'Brien (drums) -- who had joined Taylor and Danny "Kootch" Kortchmar in the Original Flying Machine -- as well as Paul McCartney (bass), who lends support to the seminal version of "Carolina in My Mind." The album's complex production efforts fell to Peter Asher -- formerly of Peter and Gordon and concurrent head of Apple Records A&R department. The absolute conviction that runs throughout this music takes the listener into its confidence and with equal measures of wit, candor, and sophistication, James Taylor created a minor masterpiece that is sadly eclipsed by his later more popular works. ~ Lindsay Planer

Though James Taylor wasn't a commercial success until SWEET BABY JAMES made him a star in 1971, one of his finest works is this 1968 debut album. Recorded shortly after Taylor was signed to The Beatles' Apple label by producer Peter Asher, it finds the singer-songwriter brimming with confidence and energy. Featuring elaborate orchestration and even a guest appearance from Paul McCartney, Taylor's debut is more produced than SWEET BABY JAMES.

The ornate arrangements give the album a wonderfully late-'60s sound that perfectly complements Taylor's accomplished acoustic guitar work and warm, assured singing. In addition to containing such strong performances as the bluesy lament "Circle Round The Sun" and the concert favorite "Rainy Day Man," the album features the original high-spirited recordings of such Taylor classics as "Carolina In My Mind" and "Something In The Way She Moves," which are far superior to the more subdued versions that Taylor re-recorded (due to legal problems with Apple) for his greatest hits album in 1975.