Additional personnel: Henry Rollins (vocals).

Recorded at Grand Master Studios, Hollywood, California.

Just as grunge was reaching its boiling point and radio-friendly punk-pop loomed on the horizon, Tool released Undertow, which firmly reinforced metal's prominence as a musical style -- but, for once, it had something worthwhile to say. At the forefront of Tool's commercial explosion were striking, haunting visuals that complemented the album's nihilistic yet wistful mood. Drawing equal inspiration from Black Sabbath, alternative theories of science, and Eastern religions, Tool's abrasive sonic assault begins from the opening notes and continues through the final moments of the last composition, an open mockery of organized religion and its incapacity for original thought. With its technical brilliance, musical complexities, and aggressive overtones, Undertow not only paved the way for several bands to break through to the mainstream adolescent mall-rage demographic, it also proved that metal could be simultaneously intelligent, emotional, and brutal. ~ Rob Theakston

UNDERTOW is an example of nimble heavy metal in the angtsy/artsy tradition of Jane's Addiction. Tool favors medium tempos, which gives several of the group's songs a modern-day Black Sabbath feel, but fortunately lead singer Maynard James mostly steers clear of the usual quasi-operatic yowling favored by most metal frontmen--he's a remarkably expressive singer in a genre not usually so noted. As for the band's world-view, it's pretty much summed up in the unsentimentally named "Prison Sex": "Do unto others, what has been done to you."