Additional personnel: Large Professor, Trugoy, Busta Rhymes, Raphael Wiggins.

Producers: A Tribe Called Quest, Skeff Anselm, Large Professor.

Engineers: Bob Power, A Tribe Called Quest, Tim Latham.

Recorded at Battery Studios, Platinum Island, Matermix and Sorcerer Sound, New York, New York.

Personnel: Phife Dawg, Q-Tip (vocals).

DJ: Ali Shaheed Muhammad.

Audio Mixers: A Tribe Called Quest; Bob Power.

Recording information: Battery Studios; Platinum Island Mastermix; Sorcerer Sound.

Photographer: Carol Weinberg.

Unknown Contributor Roles: Raphael Wiggins; Busta Rhymes.

Third and last of the "classic" Tribe records (preceding the addition of Jay Dee and the formation of "the Ummah" production team), MIDNIGHT MARAUDERS is not as groundbreaking as PEOPLE'S INSTINCTIVE TRAVELS or as consistently on-point as LOW END THEORY. However, it is arguably the group's most musically sophisticated album. The tracks balance jazz, soul, and even reggae influences with pure hip-hop to arrive at a completely distinctive Tribe sound, the logical evolution of the bop-inflected hooks which characterized LOW END THEORY.

Production-wise, Tribe graduates from a cool school aesthetic to an electric jazz sound (reminiscent of fusion-era Miles Davis). Lyrically MIDNIGHT MARAUDERS finds the group's abstract poetics in excellent form as usual, and Phife is miles ahead of the "mayor-flavor" rhymes of "Can I Kick It." As per the title, the album develops the introspection of "After Hours" into a nocturnal feel which winds it's way through "Midnight," the party-rock of "We Can Get Down," "Clap Your Hands" and the complex layers of "God Lives Through."