Additional personnel: Gail Anderson, Claire Campbell, Eilidh Campbell, Euan Forrester, David D. MacKay, Sarah Wilson (strings); Ian MacKay (pipes); Neil Robertson (bass).

Recording information: Ca Va Studios.

Belle & Sebastian quietly built a dedicated following after the release of their second album, If You're Feeling Sinister, as word of mouth spread from indie kids to record collectors to store clerks to critics. By the end of 1997, the Scottish septet had developed a following every bit as passionate as the Smiths did at their peak, which is only appropriate since leader Stuart Murdoch is as wittily literate as Morrissey. If You're Feeling Sinister proved this as did the three excellent EPs that followed, increasing expectations for The Boy With the Arab Strap. Even if the album doesn't match the peerless If You're Feeling Sinister or break new ground for Belle & Sebastian, it's not a sophomore slump. From the Motown stomp of "Dirty Dream Number Two" to the Paul Simon shuffle of the title track, there is more musical texture on Boy than Sinister, but much of this was already explored on the EPs, which means Arab Strap essentially consolidates the group's talents. Murdoch recedes from the spotlight on occasion, letting Steve Jackson deliver two music-biz spiels and giving Isobel Campbell space to shine with the lilting "Is It Wicked Not to Care?" All three songs are highlights, but Murdoch's songs still attract the most attention. His vicious wit, often overlooked in favor of his poetic narratives, surfaces on the title track, while "It Could Have Been a Brilliant Career" summarizes his effortless gift for elegant melancholia. Such small, precious gems are what Belle & Sebastian are all about, and The Boy With the Arab Strap offers another round of timeless, endlessly fascinating folk-pop treasures. ~ Stephen Thomas Erlewine

After 1997's IF YOU'RE FEELING SINISTER made them critics' darlings, Scottish octet Belle And Sebastian ran straight into a series of label woes, and into the inevitable feeding frenzy that surrounds a free agent with their prodigious talents. Their experience with one label exec is detailed in "Seymour Stein" on THE BOY WITH THE ARAB STRAP, which finds the band building on the pastoral pop charms of SINISTER, adding a palpable layer of anger and an increasingly rich sonic palette to their painfully shy tales of despair.

Near-overnight success taught the band a lot. This album moves from their trademark confessional diary sketches (still in abundance, as on the disarmingly naive "Is It Wicked Not To Care," and the tender "Rollercoaster Ride") to genuine social criticism, as on the title track, a narrative meditation on Britain's pretensions and societal ills. "Chickfactor" pulls apart the banality the band encountered on arrival in New York, an experience which only served to deepen the bashful anger that makes Belle and Sebastian so endearing.