Saves The Day: Christopher Conley, Eben D'Amico, Pete Parada, David Soloway.

This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

Personnel: Reed Black (grand piano, electric piano, Mellotron, synthesizer); Richard Barron (organ); Rob Schnapf (tambourine); Steven Rhodes (percussion).

Audio Mixers: Doug Boehm; Rob Schnapf.

Recording information: Cello Studios; Larrabee Studios East.

Illustrator: Stephan Doitschinoff.

Saves the Day's fourth album, In Reverie, is the band's poppiest and most upbeat and musical record yet. They have mostly ditched the punk in their previously punk-pop sound and gone straight for the pop jugular. In fact, the one or two moments when they attempt to rock out, like the chorus of album opener "Anywhere With You" or on the plodding "Where Are You," they sound generic and false. Most of the songs are like "What Went Wrong" and "In Reverie": pure pop from the vocal harmonies to the cheesy synths to the sticky sweet melodies. At their best, on tracks like "Morning in the Moonlight" and the chord-y power ballad "Tomorrow Too Late," Saves the Day manages to combine the aggressive approach of punk with pretty pop melodies and perky arrangements in a style not too far from the mighty Sloan. They are not quite to that level; not all the songs are top-notch, Chris Conley's weedy vocals are an acquired taste, and the lyrics are on the dense side (and are occasionally dark to the point of distraction, like on the scary "Monkey"). But it's a bit like Peter Pan -- if you can suspend your disbelief long enough, Saves the Day can fly. Not very high but just enough. At least high enough to separate them from the pack of identikit punk-poppers clogging the bins in the early 2000s. They should be commended for making a record this pop, this melodic, and this non-punk, especially when being punk is such the thing to be. ~ Tim Sendra

For IN REVERIE, their major-label debut, Saves the Day dives deeper into the pop pool that they've been swimming in since their indie punk days. Although there's still a heavy guitar presence, the energetic lads seem most intent on crafting sunny, melodic tunes with a melancholy lyrical edge. Frontman Christopher Conley's quirky yet likeable vocals are welcoming, even when he's singing "In the darkness/we were all strip-searched/nothing was found" on "What Went Wrong." Meanwhile, the rest of the group displays their instrumental skills with complex yet catchy songs such as "In My Waking Life" and the title track. Drawing apparent inspiration from Big Star, the Posies, Elliott Smith, Shudder to Think, and Green Day, Saves the Day has created an intelligent and charming pop album that's not afraid to rock out.