Self-titled non-debut albums often indicate an artistic transition or rebirth, and PHANTOM PLANET is no exception. For their third album, Phantom Planet shifted gears, trading in the Weezer-inspired power-pop of THE GUEST (and its hit song, "California") for a garage-punk sound that bears the strong influence of the Strokes. Also affecting the band was the departure of their most famous member, drummer and RUSHMORE star Jason Schwartzman, who left during the album's recording sessions.

Phantom Planet's musical changes are immediately apparent on the opening track, "The Happy Ending," which kicks off like the Knack on speed, with distorted guitars and bass accompanied by a driving drum line. This new fuzzed-out, no-frills edge is present throughout the entire release, produced by Mercury Rev's Dave Fridmann in a hands-off turn that stands in stark contrast to his typically intricate sonic tinkering. Although longtime Phantom Planet fans may require some time to adjust to their new sound, the group stills knows its way around a melody, as revealed on songs such as "By the Bed" and "After Hours."