The son of 1970s pop star and hit songwriter Albert Hammond (best known for the hits "It Never Rains In Southern California" and "When I Need You") and the rhythm guitarist in the Strokes, Albert Hammond Jr. makes his solo debut with the charming YOURS TO KEEP. Removed from the drop-dead New York cool of his day job, Hammond reveals himself to be a man after his father's easygoing SoCal heart. The original songs on YOURS TO KEEP are largely sunny pop tunes with strong echoes of post-SMILEY SMILE Beach Boys and Lindsey Buckingham's quirkier tunes with Fleetwood Mac. This American edition adds two covers not found on the 2006 British version--Guided By Voices' "Postal Blowfish" and Buddy Holly's "Well All Right."

Compared to the nocturnal New York cool of the Strokes, Albert Hammond, Jr.'s solo album Yours to Keep is a sunny California afternoon. It's not quite as radical a departure as, say, James Iha's solo album Let It Come Down was from his work with the Smashing Pumpkins, but Hammond's endearing pop miniatures have their own identity without feeling too self-consciously different from the Strokes. Even the songs that were adapted from his music for the Strokes' fan club tour DVD, like the chugging "In Transit," aren't as hard-edged as his day job's music, and Hammond's sweet, unaffected voice gives lyrics like "Everyone Gets a Star"'s "I know it gets so confusing/Sometimes it all seems to drag me down" a much different feel than they would coming out of Julian Casablancas' world-weary mouth. Actually, two of the most notable influences on Yours to Keep are the Beach Boys and Buddy Holly, artists both far removed in time and sound from the Strokes and the main inspirations on their music. The opening track "Cartoon Music for Superheroes" sounds like a lullaby version of Brian Wilson and company's take on "The Sloop John B." and "Holiday" rhymes "Jamaica" and "take ya," conjuring up "Kokomo." The affectionate covers of Holly's "Well...All Right" and Guided by Voices' "Postal Blowfish" which appear on the U.S. version of the album, give further insight into its friendly, unpretentious vibe and immediate melodies. Yours to Keep's eclectic feel adds to its unassuming charm, with whimsical tracks like "Call an Ambulance" and the folky "Blue Skies" sounding natural but not predictable next to "101" and "Bright Young Thing," which both have surprisingly bittersweet passages that come on like sudden rain showers. And while most of the album's songs are to the point -- which only adds to their appeal -- "Hard to Live in the City"'s lengthy, brassy coda makes it feel like an impromptu party breaks out at the end of the song. A small-scale project with big results, Yours to Keep is a very enjoyable musical sketchbook. In its own concise, unassuming way, it could even charm those who aren't fans of the Strokes. ~ Heather Phares

Compared to the nocturnal New York cool of the Strokes, Albert Hammond, Jr.'s solo album Yours to Keep is a sunny California afternoon. It's not quite as radical a departure as, say, James Iha's solo album Let It Come Down was from his work with the Smashing Pumpkins, but Hammond's endearing pop miniatures have their own identity without feeling too self-consciously different from the Strokes. Even the songs that were adapted from his music for the Strokes' fan club tour DVD, like the chugging "In Transit," aren't as hard-edged as his day job's music, and Hammond's sweet, unaffected voice gives lyrics like "Everyone Gets a Star"'s "I know it gets so confusing/Sometimes it all seems to drag me down" a much different feel than they would coming out of Julian Casablancas' world-weary mouth. Actually, two of the most notable influences on Yours to Keep are the Beach Boys and Buddy Holly, artists both far removed in time and sound from the Strokes and the main inspirations on their music. The opening track "Cartoon Music for Superheroes" sounds like a lullaby version of Brian Wilson and company's take on "The Sloop John B." and "Holiday" rhymes "Jamaica" and "take ya," conjuring up "Kokomo." The affectionate covers of Holly's "Well...All Right" and Guided by Voices' "Postal Blowfish" which appear on the U.S. version of the album, give further insight into its friendly, unpretentious vibe and immediate melodies. Yours to Keep's eclectic feel adds to its unassuming charm, with whimsical tracks like "Call an Ambulance" and the folky "Blue Skies" sounding natural but not predictable next to "101" and "Bright Young Thing," which both have surprisingly bittersweet passages that come on like sudden rain showers. And while most of the album's songs are to the point -- which only adds to their appeal -- "Hard to Live in the City"'s lengthy, brassy coda makes it feel like an impromptu party breaks out at the end of the song. A small-scale project with big results, Yours to Keep is a very enjoyable musical sketchbook. In its own concise, unassuming way, it could even charm those who aren't fans of the Strokes. ~ Heather Phares