Audio Mixers: Marius de Vries; Andy Bradfield.

Recording information: Angel Studios, Islington, London, England; Brooklyn Recording, Brooklyn, NY; Legacy Studios, New York, NY; Saal 4, Berlin, Germany; Second Story, New York, NY; Strongroom, London, . England.

Photographers: Rufus Wainwright; Lucy Roche; Jorn Weisbrödt; Sam Taylor-Wood.

Arranger: Steven Bernstein .

As the son of confessional singer-songwriters Loudon Wainwright III and Kate McGarrigle, it isn't exactly surprising that Rufus Wainwright's previous albums have read like diaries set to music, but the sometimes almost embarrassing level of personal detail in his lyrics set a new standard for lyrical intimacy. RELEASE THE STARS continues Wainwright's open-book approach to songwriting, but where his previous epics WANT ONE and WANT TWO were concept albums about addiction and emotional frailty, this album is considerably more hopeful.

Recorded in Berlin with the Pet Shop Boys' Neil Tennant, whose unambiguously gay-themed lyrics and musically expansive ambitions were an obvious inspiration for Wainwright's own music, RELEASE THE STARS finds the singer-songwriter in a mood of wary optimism, balancing love songs with rueful social commentary and a few playful looks back at his dissolute past. Musically, RELEASE THE STARS is Wainwright's most ornate, operatic album yet, with a use of musical theater and modern classical music not seen since Van Dyke Parks' heyday. And yet Wainwright's often overlooked gifts as a melodicist are on full display, too, giving the over-the-top arrangements a sturdy underpinning that keeps the album well-grounded.

If ever there was an artist that embodied both the urbane popular songsmithing of Cole Porter and the epic winged grandeur of Richard Wagner it is Rufus Wainwright. Having not so much perfected as succumbed to this yin-yang pull on his laboriously ambitious and intermittently inspired 2003 and 2004 albums Want One and Want Two, Wainwright once again delivers a baroque collection of songs on 2007's Release the Stars. Recorded at least partially in Berlin and London with Pet Shop Boys lead Neil Tennant, the album finds Wainwright casting himself as a kind of expatriate torch singer, a veritable Marlene Dietrich of emotion who, as he laments on "Going to a Town," is "so tired of America." In that sense, Release the Stars is at once intensely personal and utterly theatrical with Wainwright playing both ingénue and femme fatale in a series of increasingly cinematic pop-operas about true love gone not so much bad, but sad. He pleads to make it to the other side of town, and possibly the other side of monogamy, with his brown-eyed lover in "Tiergarten" and dreams lazily about, "the boys that made me lose the blues and then my eyesight" on "Sanssouci." While these songs are lushly produced, often with full orchestration, and while Wainwright has a knack for pretty, lilting melodies and concrete imagery there is nonetheless a distinct lack of pop hooks here. In fact, only the chugging T. Rex inspired glam rock of "Between My Legs" gets at any real pop meat. The main problem is that it's never quite clear if Wainwright, who has always been to pop music as cabaret is to Broadway, is dressing opera up as pop or vice versa. But when you wear custom Lederhosen as well as Wainwright does throughout the album liner notes, does it really matter? [The CD was also released with a DVD.] ~ Matt Collar