Recorded at Grand Master Studios, Hollywood, California; Bear Creek, Woodinville, Washington and WGNS Studios, Washington, D.C.

THE COLOUR & THE SHAPE was nominated for a 1998 Grammy for Best Rock Album. "Monkey Wrench" was nominated for a 1998 Grammy Award for Best Hard Rock Performance.

Foo Fighters: Dave Grohl (vocals, guitar, drums); Pat Smear (guitar); Nate Mendel (bass guitar); William Goldsmith (drums).

Since the first Foo Fighters album was a collection of Dave Grohl solo recordings, their second, The Colour and the Shape, is in many ways their official debut, and it certainly does sound different than its predecessor. Producer Gil Norton has tightened up the sound considerably -- his control was so tight that drummer William Goldsmith left the band during the recording, leaving Grohl to record the rhythm tracks for the bulk of the album. Certainly, Norton's big, shiny production makes The Colour and the Shape sound more professional than the debut, but the presence of a full band makes a difference, too. The full Foo Fighters make Grohl's songs heavier, not punkier, which may be a little unsettling to fans of the debut's ragged, amateurish edge. It's also strange that the album has such a glossy, arena-ready sound, since Grohl's songs are introspective, quite different than the endearing punk-pop of its predecessor. They're also not quite as catchy as before, but the band compensates by delivering them with a brutal energy. Still, the lack of immediate hooks prevents The Colour and the Shape from truly catching fire. ~ Stephen Thomas Erlewine

Now that Dave Grohl has gotten through the intense scrutiny leveled at the Foo Fighters' debut, this follow-up finds him flexing his creative muscles a little easier. Forgoing the autocratic approach of FOO FIGHTERS, THE COLOUR & SHAPE allows the other members of the band a greater amount of influence, which quickly becomes evident. The punk-pop nuggets outnumber the thrashier moments on this record. Nevertheless, Grohl's time on the D.C. hardcore scene is never far from the creative process, whether it's the first squeals and squawks that pop up around the hooks and screaming vocals of "Hey, Johnny Park" and "My Poor Brain" or the alternating, Nirvana-like dynamics of "Enough Space." Elsewhere, the dreamy pop of "Walking After You" (recorded in one take by Grohl at Washington, D.C. radio station WGNS) and "Up In Arms" rubs shoulders with the Catherine Wheelish sheets of guitar flowing through "My Hero."