Personnel: Megan Culton (vocals, cello); Kathryn Johnson (vocals, piano, keyboards); Mark Lebetkin (viola); Scott Phillips (accordion); Tripp Cox (piano, tambourine); Dave Bjorkback (glockenspiel).

Additional personnel: The Pox Family Singers, Andy Magowan, Abby Pearce, Elise Pohl, Mark Riebold, Maria Albani (vocals); Thomas Moorefield (pedal steel guitar); Luke Berchowitz (mandolin); Dave Bjorkback (glockenspiel); Billy Sugarfix (Theremin); Mark Lebetkin, Scott Phillips.

Recording information: Pox Studio, Durham, NC (11/2005-01/2007); Room In Raleigh (11/2005-01/2007).

Reid Johnson, the singer/songwriter/guitarist who is the creative force behind Chapel Hill, NC band Schooner, has a thorough knowledge of pop/rock music that he puts to use on the group's second full-length disc, Hold on Too Tight. The title may be a reference to his impressionistic, run-along lyrics, which feature an "I" and a "you" who may have, or have had, a romantic connection that is, or was, in trouble, although things are not spelled out precisely. In "Pray for You to Die," he describes one way in which such a relationship might be severed, softening the blow by setting the lyric to a doo wop ballad tune that makes the track sound like a record from the early '60s, complete with twangy Duane Eddy-style lead guitar playing. "Married" suggests another conclusion, in the sense that "you" apparently have married somebody else. But the narrative structure is for the most part simply a device to hang random observations on, and the lyrics seem less important than Schooner's music, which is simultaneously ambitious and off-hand. This may be a way of having it both ways when their tastes are sophisticated, but their abilities limited. It is supposed to be one of the charms of indie music that it has a spontaneous, thrown-together feel, so that it doesn't matter if the ideas are only partially realized. That may be appropriate when the ideas themselves are not so promising, but can be frustrating when they are. Brian Wilson, an obvious influence on Johnson ("Leaving Your Room" is something of an answer song to the Beach Boys' "In My Room"), always made a point of using the best studios and the best musicians to make his records. Schooner may not yet have those options; when they do, and when Johnson gets a slightly better handle on what he's trying to say, they are liable to make some excellent music. The potential is apparent here. ~ William Ruhlmann