When the intriguing CRYPTOGRAMS appeared in 2007, it established Deerhunter as a band to watch on the experimental indie rock scene. But the promise suggested by CRYPTOGRAMS' sonic pastiches and intriguing textures truly came to fruition on 2008's MICROCASTLE, which finds the band creating hooks and song structures as entrancing as their murky, mind-altering noise.

The group's deconstructionist rock approach might seem like it would make an uneasy bedfellow with melody-focused popcraft, but it's just this tension that makes tunes like "Never Stops" and "Nothing Ever Happened" so enjoyable. MICROCASTLE's debt to 1960s psych pop is the perfect canvas for the Deerhunter's trippy atmospheres, and the result is lush, aurally absorbing, and a step forward for one of rock's most unique voices.

The narcotic drones and fragmented art-punk Deerhunter explored on Cryptograms made the album a love-it-or-hate-it proposition for many indie rock fans; where some heard eclectic expansiveness, others heard incohesive experiments. Microcastle, the band's first album with guitarist Whitney Petty, brings together the disparate elements that made Cryptograms fascinating and frustrating, adding a little more pop and quite a bit more studio polish (this album was recorded in a week, as opposed to the two days it took to lay down Cryptograms). Deerhunter still changes from gentle to storming at a moment's notice, as on "Microcastle" itself, which drifts along like a slow motion surf-rock ballad, then catches fire about two-thirds of the way through, and the album's middle stretch of songs is just as lulling as Cryptograms' opening suite, but a lot more melodic.

These fever-dream moments are punctuated by pop songs that are as crystal clear as they are warped. The trippy innocence of '60s psych pop is a major influence on Microcastle, especially "Little Kids"' jangly guitars and sparkling strangeness, and the acid-pop flashback "Saved by Old Times," which is slinky and mischievous enough to be a spiritual cousin of Donovan's "Season of the Witch." Bradford Cox and company get even more accessible on the bittersweet "Never Stops" and the excellent "Nothing Ever Happened," which lets zigzagging guitars and keyboards tussle over one of Microcastle's most memorable melodies. Guitarist Lockett Pundt's songs balance Cox's extremes, with "Neither of Us, Uncertainly" nodding to the album's hazier moments and "Agoraphobia" blending in with its crisper songs. When "Twilight at Carbon Lake" swells from a hallucinatory '50s slow dance ballad into a triumphant storm of guitars, Microcastle proves that Deerhunter can make music that sounds very different from what they'd done before, yet still feels of a piece with their body of work. ~ Heather Phares

The narcotic drones and fragmented art punk Deerhunter explored on Cryptograms made the album a love-it-or-hate-it proposition for many indie rock fans; where some heard eclectic expansiveness, others heard incoherent experiments. Microcastle, the band's first album with guitarist Whitney Petty, brings together the disparate elements that made Cryptograms fascinating and frustrating, adding a little more pop and quite a bit more studio polish (this album was recorded in a week, as opposed to the two days it took to lay down Cryptograms). Deerhunter still change from gentle to storming at a moment's notice, as on "Microcastle" itself, which drifts along like a slow-motion surf rock ballad, then catches fire about two-thirds of the way through, and the album's middle stretch of songs is just as lulling as Cryptograms' opening suite, but a lot more melodic. These fever-dream moments are punctuated by pop songs that are as crystal clear as they are warped. The trippy innocence of '60s psych pop is a major influence on Microcastle, especially "Little Kids"' jangly guitars and sparkling strangeness, and the acid pop flashback "Saved by Old Times," which is slinky and mischievous enough to be a spiritual cousin of Donovan's "Season of the Witch." Bradford Cox and company get even more accessible on the bittersweet "Never Stops" and the excellent "Nothing Ever Happened," which lets zigzagging guitars and keyboards tussle over one of Microcastle's most memorable melodies. Guitarist Lockett Pundt's songs balance Cox's extremes, with "Neither of Us, Uncertainly" nodding to the album's hazier moments and "Agoraphobia" blending in with its crisper songs. When "Twilight at Carbon Lake" swells from a hallucinatory '50s slow dance ballad into a triumphant storm of guitars, Microcastle proves that Deerhunter can make music that sounds very different from what they'd done before, yet still feels of a piece with their body of work. [Microcastle was also released with Weird Era Continued, an album of bonus songs that plays like Microcastle's mirror twin: tracks like "Vox Celeste" and "VHS Dream" put the angular pop first and experimental haze second. Taken as a whole, Microcastle/Weird Era Continued is an even richer, more ambitious, and more exciting listen than either part on its own.] ~ Heather Phares