Producers include: Rick Rubin, Jimmy Iovine, David A. Stewart, Mike Campbell, Jeff Lynne.

Digitally remastered by Joe Gastwirt (Oceanview, Los Angeles, California).

Tom Petty & the Heartbreakers: Tom Petty (vocals, guitars, keyboards); Mike Campbell (guitar, keyboards, bass guitar); Benmont Tench (keyboards, background vocals); Howie Epstein (bass guitar, background vocals); Ron Blair (bass guitar); Stan Lynch (drums, background vocals).

In the 1970s and '80s, amid the rise of New Wave and synth pop, Tom Petty & the Heartbreakers almost single-handedly brought old-school power-pop and garage-rock musical values into the mainstream. The roots-conscious Floridians are often regarded as "heartland rockers," and tunes like the jangling, Byrds-like "American Girl" certainly make a case for that appellation. At the same time, "Don't Come Around Here No More" and "You Got Lucky" eagerly expand that stylistic template with haunting atmospherics and neo-psychedelic touches.

GREATEST HITS offers a handy, hook-laden, single-disc summary of this great American band. It traverses the Heartbreakers' journey from raw, lean '70s enfants terribles to elder rock-&-roll statesmen. Conveniently, it also includes the two best Heartbreakers tunes never to grace one of their studio albums--"Mary Jane's Last Dance" and the Petty/Stevie Nicks duet, "Stop Draggin' My Heart Around."

Hailing from the state of Florida, singer-songwriter Tom Petty has come to epitomize a new rootsy style of California rock'n'roll. Rhythmically, the music harkens back to the basic crunch of the Rolling Stones and the dancing pop of the Beatles, while Petty's gravelly vocals and sing-song narrative style suggest roots in the folk-blues Americana of Bob Dylan.

Years before R.E.M. returned to the jangly, Rickenbacker-infected timbre of the Byrds, Petty's nasal delivery and bell-like mix of guitars and vocal harmonies gave new life to the atmospheric ballad style of Roger McGuinn, David Crosby and company. GREATEST HITS is evenly divided between material from Petty's mid-'70s/early '80s breakthrough and the more mature work he's been doing with producer Jeff Lynne since 1989's FULL MOON FEVER.

The craft and content of his songwriting has grown more relaxed and accomplished with each passing album, whether alone or in tandem with Lynne and long-time lead guitarist Mike Campbell. Thus we move from the hard-churning outsider's anthem of "Refugee" with Benmont Tench's pulsing Hammond organ (from 1979's DAMN THE TORPEDOES), to the moody Southern California metaphors of the transplanted rock exiles and doomed romantics who populate "Free Fallin'" and "Learning To Fly"--all examples of Petty's timeless, evocative songwriting.