Recorded at Rhinoceros Studios, Sydney, Australia and Studio De La Grande Armee, Paris, France. Originally released on Atlantic (8179). Includes liner notes by Chris Thomas.

All tracks have been digitally remastered.

Personnel: Kirk Pengilly (vocals, guitar, saxophone); Michael Hutchence (vocals); Andrew Farriss (guitar, keyboards); Tim Farriss (guitar); Jon Farriss (drums, percussion).

Audio Mixers: Mark Opitz; Bob Clearmountain.

Audio Remasterers: Don Bartley; Mark Opitz; Andrew Farriss.

Liner Note Author: Chris Thomas .

Recording information: Rhinoceros Recordings, Sydney, Australia; Studio De La Grande Armee, Paris, France.

Photographers: Lynn Goldsmith; Grant Matthews.

"What You Need" had taken INXS from college radio into the American Top Five, but there was little indication that the group would follow it with a multi-platinum blockbuster like Kick. Where the follow-ups to "What You Need" made barely a ripple on the pop charts, Kick spun off four Top Ten singles, including the band's only American number one, "Need You Tonight." Kick crystallized all of the band's influences -- Stones-y rock & roll, pop, funk, contemporary dance-pop -- into a cool, stylish dance/rock hybrid. It was perfectly suited to lead singer Michael Hutchence's feline sexuality, which certainly didn't hurt the band's already inventive videos. But it wasn't just image that provided their breakthrough. For the first (and really only) time, INXS made a consistently solid album that had no weak moments from top to bottom. More than that, really, Kick is an impeccably crafted pop tour de force, the band succeeding at everything they try. Every track has at least a subtly different feel from what came before it; INXS freely incorporates tense guitar riffs, rock & roll anthems, swing-tinged pop/rock, string-laden balladry, danceable pop-funk, horn-driven '60s soul, '80s R&B, and even a bit of the new wave-ish sound they'd started out with. More to the point, every song is catchy and memorable, branded with indelible hooks. Even without the band's sense of style, the flawless songcraft is intoxicating, and it's what makes Kick one of the best mainstream pop albums of the '80s. ~ Steve Huey

Okay, this album's omnipresence (it produced no less than five charting singles out of 12 songs) on radio and television for over a year and a half--alongside singer Michael Hutchence's mass media anointment as THE premier rock and roll sex symbol of the late '80s--makes it difficult to hear KICK as simply an album. KICK isn't a pop culture icon on the level of BORN IN THE USA or IT TAKES A NATION OF MILLIONS TO HOLD US BACK, but once you've hit a certain commercial threshold and the inevitable backlash has set in (see also THE JOSHUA TREE and I DO NOT WANT WHAT I HAVEN'T GOT), the musical worth of a disc ceases to matter much. KICK's five hits are easily its best tracks, and the remaining seven range from excellent to inoffensive. If you want to mentally recreate 1988, look no further.

"What You Need" had taken INXS from college radio into the American Top Five, but there was little indication that the group would follow it with a multi-platinum blockbuster like Kick. Where the follow-ups to "What You Need" made barely a ripple on the pop charts, Kick spun off four Top Ten singles, including the band's only American Number One, "Need You Tonight." Kick crystallized all of the band's influences -- Stones-y rock & roll, pop, funk, contemporary dance-pop -- into a cool, stylish dance/rock hybrid. It was perfectly suited to lead singer Michael Hutchence's feline sexuality, which certainly didn't hurt the band's already inventive videos. But it wasn't just image that provided their breakthrough. For the first (and really only) time, INXS made a consistently solid album that had no weak moments from top to bottom. More than that, really, Kick is an impeccably crafted pop tour de force with the band succeeding at everything they try on it. Every track has at least a subtly different feel from what came before it; INXS freely incorporates tense guitar riffs, rock & roll anthems, swing-tinged pop/rock, string-laden balladry, danceable pop-funk, horn-driven '60s soul, '80s R&B, and even a bit of the new wave-ish sound they'd started out with. More to the point, every song is catchy and memorable, branded with indelible hooks. Even without the band's sense of style, the flawless songcraft is intoxicating, and it's what makes Kick one of the best mainstream pop albums of the '80s. [The 2002 reissue features four previously unreleased versions of "Move On," "Jesus Was a Man," "Mystify," and "The Trap."] ~ Steve Huey