Additional personnel: Stewart Copeland (hi-hat); Louis Schefano, Joey Waronker, Joe Ippolito, Martin Tillman, Amiel Morris, Steven Morris.

Engineers: Ronnie S. Champagne, Eric Janko, Remy Zero.

Recorded at Earhaven, Santa Rosa, California and Sonora Studios, Los Feliz, California.

Audio Mixers: Eric Janko; Frankie Blue; Shelby Tate; Remy Zero; Ronnie S. Champagne; Cedric Lemoyne.

Recording information: Earhaven, Santa Rosa, CA; Sonora Studios, Los Feliz, CA.

Photographers: Amiel Morris; Shelby Tate.

Unknown Contributor Roles: Joe Ippolito; Amiel Morris; Louis Schefano; Jeffrey Cain; Joey Waronker; Martin Tillman; Wes Sharon; Stewart Copeland; Cedric Lemoyne.

Remy Zero's debut album is an atmospheric, experimental set of alternative rock, featuring flutes and airy guitars. It's more of an exercise in soundscapes than a collection of songs and on that level it works quite well. However, that lack of songs means it doesn't quite hold up on repeated listens. ~ Stephen Thomas Erlewine

REMY ZERO is all-over-the-map alterna-pop--hi-fi mixing with low-fi, squalls of feedback placed opposite gentle acoustic guitars, and breathy, sometimes elaborately layered vocals; the whole thing very psychedelic in the best sense of the word. A major influence seems to be Brian Eno circa HERE COME THE WARM JETS, especially in "Chloroform Days," where a soaring instrumental melody gradually rises out of the dissonant chaos of the backing track.