Personnel includes: Fiona Apple (vocals, piano); Jon Brion (various instruments); Tom Biller (guitar, synthesizer); Michael Breaux (woodwinds); Wendell Kelly, John Noreyko, Paul Loredo, Jean Martinelli (horns); Patrick Warren (Wurlitzer piano, Chamberlain); Greg Cohen (bass); Matt Chamberlain, Butch (drums, percussion); Jim Keltner (drums); Rich Costey (programming).

WHEN THE PAWN... was nominated for the 2001 Grammy Award for Best Alternative Music Album and "Paper Bag" was nominated for Best Female Rock Vocal Performance.

This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

Personnel: Fiona Apple (vocals, piano); John Wittenberg, Edmund Stein, Eve Butler, Peter Kent, Brian Leonard, Robert Peterson, Armen Garabedian, Michele Richards, Susan Chatman, Berj Garabedian, Charlie Bisharat (violin); Scott Haupert, Denyse Buffman, Robert Becker, Maria Newman (viola); Suzie Katayama, Larry Corbett (cello); Mike Breaux (woodwinds); Wendell Kelly (horns); Patrick Warren (Wurlitzer organ, chamberlin); Matt Chamberlain (drums, percussion); Jim Keltner (drums); Rich Costey (programming).

Audio Mixers: Jon Brion; Rich Costey.

Recording information: Andora Studio; Chateau Brion Studio; Nrg; Ocean Way Studio; One On One South; Preasence Studio Westport; Woodwinds.

Arranger: John Bainbridge.

Of the many women who came of age during the "Lilith Fair" age of the 90s, none was as intellectually precocious or as emotionally scarred as Fiona Apple. Her sophomore album, WHEN THE PAWN revealed Apple to be a fiercely independent artist who jealously guarded the sanctity of her creative expression. It bubbles over with confessionals pertaining to the effects that fame had on Apple's continuing string of disastrous relationships.

Rather than whine about her trials and tribulations, the lithesome 20-something matter-of-factly sings of yearning ("Paper Bag"), moving on from bad love ("The Way Things Are"), and staying wrapped up in it ("Limp"). As was the case on her debut, Apple's smoky delivery and understated piano playing make her the '90s equivalent of Nina Simone, another headstrong iconoclast. Producer Jon Brion does a great job incorporating a mix of swirling orchestration, lo-fi ambiance, and punch onto some of Apple's more notable numbers including the breathlessly fast-paced "Fast as You Can" and the defiantly resilient "Get Gone." Musically rich and lyrically challenging, WHEN THE PAWN is the kind of smart pop that is unfortunately more the rare exception rather than the common occurrence.