Producers include: Deric "D-Dot" Angelettie, Swizz Beatz, Charly "Shuga Bear" Charles, Kane West.

Engineers include: Jason Goldstein, Tom Soares, T Mix.

Personnel: Too Short (vocals).

Audio Mixers: Jason Goldstein; Omass Keith.

Recording information: Electric Lady, New York, NY; Henchman; Hit Factory, New York, NY; Lion's Den Studios, New York, NY.

Photographers: Lenny Santiago; Michael Lavine.

Unknown Contributor Roles: DMX; R. Ayers; S. Garrett; Delmar Arnaud; G Guthrie; Keston Wright; A. Young; Derrick Angelette; Gavin Brown; Sean Carter; K. Dean; T. Shaw; J. Barrow; Irving Lorenzo; P. Smith; R. Moore; M. Phillips; Next; Nick Zesses; R. Kelly; B. Brown; Victor Axelrod; Busta Rhymes; Calvin Broadus.

Foxy Brown's sophomore outing, Chyna Doll, entered the U.S. album charts at number one. The album opens with an introduction consisting of Brown's mama giving birth to li'l Foxy, all the while yelling obscenities and "I own the hookers, I own the pimps," then giving what she owns to her baby. Lovely indeed. Brown's reputation as a hoodish sex kitten is played to the hilt on this album, as evident on the track "Dog and a Fox" (with DMX). Other tracks, such as "Job," which features Mya and samples Gwen Guthrie's "Ain't Nothin' Goin' on But the Rent," and "I Can't," which features Total and samples Wham!'s "Everything She Wants," aren't quite as catchy, although they feature well-known hooks and R&B singers. There are a couple of interesting tracks, such as lead single "Hot Spot," "Can U Feel Me Baby," and the early rap retro-sounding "Tramp." ~ Jose F. Promis

Foxy Brown's sophomore outing, Chyna Doll, entered the U.S. album charts at number one, then quickly plummeted, largely due to its lack of imaginative beats, insightful rhymes, and a real hit single. The album opens with an introduction consisting of Brown's mama giving birth to li'l Foxy, all the while yelling obscenities and "I own the hookers, I own the pimps," then giving what she owns to her baby. Lovely indeed. Brown's reputation as a hoodish sex kitten, played to the hilt on this album, comes off as more pornographic than sexy, evident on the track "Dog and a Fox" (with DMX). Other tracks, such as "Job," which features Mya and samples Gwen Guthrie's "Ain't Nothin' Goin' on But the Rent," and "I Can't," which features Total and samples Wham!'s "Everything She Wants," are completely lackluster, despite the presence of well-known hooks and R&B singers. There are a couple of interesting tracks, such as lead single "Hot Spot," "Can U Feel Me Baby," and the early rap retro-sounding "Tramp," but for the most part, this album is full of unappealing, pornographic raps, lame beats, and pathetic gangster posturing. The sophomore slump is evident here, but the charismatic Brown fortunately redeemed herself in 2001 with Broken Silence. ~ Jose F. Promis

The sophomore album from hip-hop diva Foxy Brown comes almost two years after she took rap music by storm. Her hardcore rhyme flow and fashionable lyrical content are still present, but where Foxy went the commercial route with her debut, she returns to the streets on CHYNA DOLL. Constantly a target for the media, Foxy explains the hardships that go along with that circumstance on "My Life." She flips the coin, though, on "B.W.A.," collaborating with Gangsta Boo and Mia X for a women's-power anthem. Street-inspired songs abound on CHYNA DOLL, and Brown is visited by her partner-in-rhyme, Jay-Z, as well as other notable hardcore MCs such as DMX.