Contains 29 hidden tracks after "Man Overboard."

Blink 182: Mark Hoppus, Tom DeLonge, Travis Baker.

Engineers: Guy Charbonneau, Sean O'Dwyer, Bryan Worthen.

Recorded live at The Bill Graham Civic Auditorium, San Francisco, California on November 4, 1999 and at The Universal Amphitheater on November 5, 1999.

Personnel: Tom DeLonge (vocals, guitar); Mark Hoppus (vocals); Travis Barker (drums).

Audio Mixers: Jerry Finn; Tom Lord-Alge.

Recording information: The Bill Graham Civic Auditorium, San Francisco Convent (11/04/1999-11/05/1999); The Universal Amphitheatre (11/04/1999-11/05/1999).

Editor: Joe McGrath.

Illustrator: Glen Hanson.

Photographers: Skye Everly; Justin Stephens; Tim Stedman; Thomas Noto.

Power punk funny guys blink-182 capture their witty stage presence on the limited-edition release The Mark, Tom and Travis Show (The Enema Strikes Back). Celebrating the quick success of their major-label debut, 1999's Enema of the State, The Mark, Tom and Travis Show showcases playful live cuts and previously unreleased tracks and, in keeping with blink-182's punk revivalism, the album is only available from the time of release and January 2001. The Mark, Tom and Travis Show is indeed a real rock show and catches blink-182's shameless personalities and childlike giggling about oral sex, dog semen, and masturbation. But that's what makes blink-182 popular: the band's ability to not care about anything is a carefree look for the pop kids buying its records. The bandmembers' immaturity is harmless and fans love it. The quick guitar riffs and swirling percussion are intact, and guitarist Tom DeLonge's hyperactive retaliations against the audience are merely an act for the sake of being cool. DeLonge and bassist Mark Hoppus are even funnier with their on-stage brotherly love affair. It's high-speed energy at it's finest, probably the cheekiest punk rock stake since Green Day's "Longview." And in the midst of teen pop mediocrity and post-grunge rollickers, it's good to see a band such as blink-182 enjoying its time on top of the world. ~ MacKenzie Wilson

A live run through of Blink 182's greatest hits, recorded before adoring California crowds, this album is probably the best way to experience these endearing pop-punkers' infectious three or four chords Green Day-ish sonic assault. Highlights include the uncharacteristically melancholy "Adam's Song," "Family Reunion" (a dirty joke with great harmonies), and the audience favorite, "What's My Age Again?"

Also expect a lot of very funny stage patter between songs, including a monologue about dressing up in women's clothing the better to seduce your own father. It's wholeheartedly, and good-naturedly, obscene.