Cedric The Entertainer.

Producers include: The Neptunes, DJ Quik, Eminem, Rick Rubin, Just Blaze.

If The Black Album is Jay-Z's last, as he publicly stated it will be, it illustrates an artist going out in top form. For years Shawn Carter has been the best rapper and the most popular, a man who can strut the player lifestyle with one track and become the eloquent hip-hop everyman with the next, an artist for whom modesty is often a sin, and yet, one who still sounds sincere when he's discussing his humble origins or his recurring doubts. After the immediate classic The Blueprint found him at the peak of his powers, and The Blueprint²: The Gift & the Curse came as the most deflating sequel since Star Wars: Episode I, his follow-up (and possible siren song) impresses on the same level as the best of his career. As he has in the past, Jay-Z balances the boasting with extensive meditations on his life and his career. The back history begins with the first song, "December 4" (his birthday), on which Carter traces his life from birth day to present day, riding a mock fanfare and the heart-tugging strings of producer Just Blaze, along with frequent remembrances from his mother in This Is Your Life fashion. The other top track, "What More Can I Say," opens with Russell Crowe's defiant "Are you not entertained!?" speech from Gladiator, then finds Jay-Z capping his career with another proof that he's one of the best of all time, and a look into what made him that way: "God forgive me for my brash delivery, but I remember vividly what these streets did to me." He also goes out with a few words for underground fans who think he's sold too many records for his own good. On "Moment of Clarity," he lays it out with an excellent rhyme: "If skills sold, truth be told, I'd probably be lyrically Talib Kweli/Truthfully I want to rhyme like Common Sense/But I did five mil, I ain't been rhyming like Common since." The first single, "Change Clothes," is much more interesting than the lightweight club hit it sounds like, a keyboard-heavy pop sequel to the Neptunes' "Frontin'" (the anthem that rocked the summer of 2003, and his last collaboration with professional beat-maker and amateurish falsetto Pharrell Williams). And he can rock with the best as well, working with Rick Rubin on a cowbell-heavy stormer named "99 Problems" that samples Billy Squier and outrocks Kid Rock. The only issue that's puzzling about The Black Album is why one of the best rappers needs to say goodbye -- unless, of course, he's simply afraid of being taken for granted and wants listeners to imagine a rap world without him. ~ John Bush

In what he claims to be his final release as a musical performer, Jay-Z drops THE BLACK ALBUM, a sprawling, ambitious effort that rivals the best work of the rapper's already legendary career. Working with a who's who of hip-hop's most high-profile producers, the outrageously talented MC adjusts his flow and subject matter to the wildly varied tracks, proving once again just how gifted he is as a wordsmith.

From the epic "What More Can I Say" (a collaboration with the Buchannans) to the brutally honest, Eminem-produced "Moment of Clarity," THE BLACK ALBUM bleeds with inspiration. Other highlights include the fuel-injected "Dirt Off Your Shoulder" (featuring Timbaland behind the board), the club-ready "Change Clothes" (which sports the Neptunes' trademark beats), and the old-school stomp of "99 Problems" (with pioneering hip-hop producer Rick Rubin). It makes one wonder how an artist at the peak of his craft could willingly put the microphone down. Hopefully, time out of the spotlight will remind Shawn Carter why he became successful in the first place, and find him back in the studio.