Though Anita Baker got some airplay out of The Songstress, that promising solo debut didn't bring her financial security. In fact, Baker was earning her living as a legal secretary in her native Detroit when she signed with Elektra in the mid-'80s. Elektra gave her a strong promotional push, and the equally superb Rapture became the megahit that The Songstress should have been. To its credit, Elektra made her a major star by focusing on Baker's strong point -- romantic but gospel-influenced R&B/pop ballads and "slow jams," sometimes with jazz overtones -- and letting her be true to herself. Rapture gave Baker one moving hit after another, including "Sweet Love," "Caught up in the Rapture," "Same Ole Love," and "No One in This World." Praising Baker in a 1986 interview, veteran R&B critic Steve Ivory asserted, "To me, singers like Anita Baker and Frankie Beverly define what R&B or soul music is all about." Indeed, Rapture's tremendous success made it clear that there was still a sizeable market for adult-oriented, more traditional R&B singing. ~ Alex Henderson

From the opening piano chords of `Sweet Love', you know there is a good song coming. Ex-Chapter 8 vocalist Baker has an effortless delivery that swoops and dips like a swallow. `Sweet Love' is just one of those soul songs that people who say they don't like soul music like. The choice of material is superb, and heart-tugging songs such as David Lasley's `You Bring Me Joy' or Ken Hirsch and Marti Sharron's `No One In The World' are only beaten by Baker's voice. The slower material is stronger and only `Watch Your Step' and `Same Ole Love' fail to hit the spot, simply because of the mood the other tracks set.