The Phenix Horns: Don Myrick (tenor & alto saxophones); Rahmleee Michael Davis, Michael Harris (trumpet); Louis Satterfield (trombone).

As his hit cover of "You Can't Hurry Love" demonstrates, Phil Collins began to inject his highly melodic pop songwriting with more soul and R&B influences on his second solo album, Hello, I Must Be Going! While some of the material was successful, much of it showed that he was still coming to grips with how to incorporate R&B techniques into his style; in retrospect, Hello, I Must Be Going! laid the groundwork for his breakthrough album, No Jacket Required. ~ Stephen Thomas Erlewine

The omnipresent Phil took two years to follow Face Value, which cynics believed to be a fluke and fans willed him to repeat. This album rocketed him back to the top, together with a number 1 single, 'You Can't Hurry Love', and a superb video featuring Phil in triplicate with a tonic mohair suit and Blues Brother shades. The rest is in a similar vein to his debut, albeit with a happier theme running throughout. The album's finale is the touching 'Why Can't It Wait 'Til Morning', a sentence we have all used in the same way at some time in our lives.