Had he not done anything else of significance, Arlo Guthrie could have built his entire career on the 18-minute folk/protest/novelty piece "Alice's Restaurant Massacree." And while early on it seemed as if this sort of humorous, hippie storytelling would be his metier, "Woody's son" slowly began to develop into a serious artist in his own right. Released in 1977, The Best of Arlo Guthrie is a worthwhile collection, if only for rescuing cuts like "Alice's Restaurant" and the live "Motorcycle (Significance of the Pickle) Song," and placing them in better company than some of his '60s records provided. Whereas these tunes -- including the smuggler's tale, "Coming into Los Angeles" -- were the highlights of his early recordings, they would simply act as pleasant distractions as his career progressed. As the '70s rolled around, such fine albums as Hobo's Lullaby -- which featured his lone Top 40 hit, Steve Goodman's "City of New Orleans" -- and Last of the Brooklyn Cowboys showed real maturity, but were still most notable for Guthrie's taste in, and interpretations of, other folks' songs. Still, the latter's self-penned "Last Train" is among the best moments here. The track, which is built around Ry Cooder's soulful, acoustic guitar accompaniment, improves on such previous Guthrie originals as "Gabriel's Mother's Hiway Ballad #16 Blues" (also included here), and leads into what would be his most productive period as a songwriter. "Last to Leave" and "Darkest Hour," taken from his eponymous 1974 release and 1976's Amigo, respectively, are good examples of this growth. The Best Of is a decent introduction to Arlo Guthrie's first ten years, but also look to the aforementioned records, starting with his best, Amigo, to get a more extensive overview of his music. ~ Brett Hartenbach

Woody Guthrie's son Arlo successfully made a name for himself with a body of work that falls under the shadow of his father only peripherally. Beginning as a sort of comic troubadour, Arlo laid out a persona that was all his own with "Alice's Restaurant Masacree." He followed his debut album with another in a similar vein--ARLO, which yielded "Motorcycle (Significance Of The Pickle)." This was followed by a series of smartly written, arranged and produced albums which benefited from great players (Ry Cooder, Doug Dillard, Richie Hayward, Chris Ethridge, and Clarence White, among others) and sympathetic producers (including Lenny Waronker and Van Dyke Parks).

The remainder of his works for Warner Brothers (now all reissued on his own Rising Son Records) were a quietly dazzling array of warm, inventive ensemble playing and superb songwriting. Though primarily popular as whole albums, there were a couple of notable hits, including "Coming Into Los Angeles" and "City Of New Orleans." This collection features some of the finest songs of his career.